Tuesday, June 16, 2015

BBS Philological Dating


BBS Philological Dating



Introduction

What is for the most part an exact copy of the script follows.  There are a few places where individual speakers could neither be heard nor understood: for this we apologize.  Every effort was made to be precise: there were just spots that defeated us.  Since this is a quote in its entirety it seemed unnecessary to mark it with quotation marks.  The notation for each speaker is tedious enough: Narrator, Reader, etc.  If you discover bothersome errors please reply to this Blog and point them out.  You may verify the script more easily by starting to replay it where the “time” stamps indicate discussion begins.  The second of the above links is free from advertising and thus easier to use.

http://swantec-oti.blogspot.com/

We firmly believe that dating differences between oral tradition and written record cannot be established on the basis of grammar, spelling, syntax, and word nuances.  Especially, with oral tradition, we have no way of knowing what such grammar, spelling, syntax, or word nuances might have been.  For those who make such claims, we wish to see one specific example, with supporting evidence that reveals an unquestionable dating difference in the sequence necessary.  We believe that provenance has the superior claim on reality.  We close with a quote from Emanuel Tov.  Tov does not say that Torah reflects four interwoven and overlapping patterns.

“Each Scripture book reflects a different textual pattern.”[1]

Script

Philological Dating (time 19:20)

McCarter: The Hebrew Bible is a collection of literature written over about a thousand years.[2]  And as with any other language, Hebrew naturally changed quite a bit over those thousand years.  The same would be true from English; I’m speaking English of the twenty-first century; and if I were living in Elizabethan times, the words I chose, the syntax I used would be quite different.[3]

N: Scholars examine the Bible in its original Hebrew, in search of the most archaic language, and therefore the oldest passages.  They find it in Exodus, the second book of the Bible.

R: “Pharaoh’s chariots and his army, He cast into the sea.  His picked officers are drowned in the Red Sea.” — Exodus 15:4

N: This passage, known as the Song of the Sea,[4] is the climactic scene of Exodus, the story of the Israelites in slavery in Egypt, and how Moses leads them to freedom.  In all of the Bible, no single event is mentioned more times than the Exodus.  With the development of ancient Hebrew script the Song of the Sea could have been written by 1000 BC, the time of Tappy’s alphabet.  But, it was probably recited as a poem, long before the beginning of Hebrew writing.

Lawrence E. Stager:[5] It is very likely that it was the kind of story told in poetic form that you might tell around the campfire, just as our songs are easier to remember generally than prose accounts; so we generally think that the poetry is orally passed on from one to another long before they commit things to writing.[6]

Commentary

We got a hint from the closing statement of the previous section on the Tel Zayit Stone that a discussion of philological dating was headed our way.  “To discover the most ancient text in the Bible, scholars examine the Hebrew spelling, grammar, and vocabulary.”

We discussed this topic in our previously published blog on Dating.

http://swantec-oti.blogspot.com/2015/05/dating.html

Here is a more comprehensive approach

https://en.wikipedia.org/wiki/Dating_methodologies_in_archaeology

Of the four methods which we discussed (provenance, 14C, pottery, and philology), we insisted that philology, employed outside of the boundaries of its capability, is always the least accurate of dating methods.

Provenance is the historical record of the object from A to Z.  It is the chain of custody that preserves crime scenes.  It is exactly as good or bad as the character of the person or persons who maintained it, and the care with which they preserved it.  The provenance of a liar is of little or no merit at all.  The provenance of a careless person is worth even less.  The provenance of an honest, careful observer may provide dates that are good within a year, a month, a day, an hour, a minute, a split second.  Careful observers will apply all the care that is necessary for expressing the significant figures for the topic at hand.  This is how we know the exact day of birth for some important ancient persons, while others are lost and must be estimated from other circumstances and dated.  If the date is not explicitly stated in the provenance, then it is necessarily an estimate.  The accuracy of that estimate is no better than the technology upon which it is based.

Philological dating, as we use the term here, involves far more than mere word analysis.[7]  Otherwise, anybody could grasp after philological solutions based on standardized and uniform printed texts.  In this case anybody could be a philologist and we wouldn’t need experts.  A philologist does not base the work on printed texts, for the most part.  A philologist works from original artifacts, manuscripts, and monuments.  Any caveman can discern the difference in printed editions between Judges, Joel, and Jonah.

Not everybody can look at two ancient manuscript copies of the same document and determine that one is older than the other: based on minor variations in grammar, spelling, and syntax; or based on which words are arcane or not.

First of all, for the most part, decisions about which grammars, spellings, syntaxes, and words are arcane are very subjective when evaluating languages that are no longer in use.

We would find it impossible to date a modern prayer or song, poem or even some prose as arcane simply because it contained known arcane words: such as thy, thee, ye, thou, and the like.  There is no rule that prohibits the use of such words.  Similarly, there is no rule which prohibits a modern writer from using a Spenserian style of penmanship.  Indeed, this is how calligraphers make their livelihood.  If we cannot expect to distinguish two modern documents by such methods, where we know what arcane and Spenserian mean; how can we expect to apply them in a field where we must discover the rules as we go along.

In ancient documents we must find enough uses of a thing to determine its grammar, spelling, syntax, and word meanings from use.[8]  We are unlikely to be lucky enough to stumble upon ancient grammars segregated by decades, centuries, or millennia.  No ancient word lists or spellers are likely to come our way; no discussions of syntax, no lexicons either.  Lexicons and grammars are relatively modern inventions and ancient ones are a rare archaeological find.  In our case we thought ourselves extremely lucky to find a schoolboy’s alphabet slate from 1000, the Tel Zayit stone.  We were not lucky enough to find his spelling book, or his first reader.  When one comes across a word, or grammatical structure, or word sequence, such as S-V-O, subject-verb-object, that occurs hundreds or thousands of times, anybody can eventually figure out what it means: so definitions, rules of grammar, and common syntax can be formed.  But when one comes across a word that is used once or twice, or a strange syntax[9], or a totally foreign grammatical structure: for example a third person, past tense, passive voice, imperative mood, verb; then the task becomes considerably more daunting.[10]

The facts of the matter are that we are not deluged with tons of Noahic, Japhetic, Hamitic, Semitic post Flood literature: we have none that we know of.[11]  We do not really know what happened at Babel; we know what it says, but in terms of real experience we have nothing.  We have highly developed Mesopotamian cuneiform, and Egyptian hieroglyphics, with the emergence of alphabetic writing.  For Canaanite, Phoenician, and paleo Hebrew we have a few modern grammars and lexicons written by truly prodigious people.  To assert that we know enough about any of these to discern their dating based on observable arcane expression alone is a fool’s errand.  In most cases we don’t have enough material to establish basic meaning and grammar.  If meaning has to be determined from cognate languages, then where is the sensitivity to nuance, which determines age?  If a first translation can only be made after finding a parallel language monument, then where is the detail that can fix a date?

We are not being asked to believe that Judges, Joel, and Jonah are sourced from different dates based in internal markers and topical subject matter.  We are being asked to believe that two chapters from the same document and the same scroll, with the same subject matter, are in fact time different; in spite of the fact that their provenance claims them to be time identical.  Moreover, we are being asked to believe such a thing without tangible proof, with a paucity of supporting evidence from the period.

Now, if the claim were being made that the whole book of Genesis was based on oral tradition, we would be completely sympathetic with that view.  There is no evidence that Moses received all or part of Genesis in written form.  It appears to be information that he is the first to ever record.  That being said, the claim that the Song of the Sea is an ancient oral tradition, predating Moses by thousands, hundreds, or even only ten of years is ludicrous.

The point being made by The Bible’s Buried Secrets is that Moses, according to them, did not write Torah.  They are building a foundation so that they can claim that a few Canaanites, not even many, left Egypt, perhaps as early as 1446, stumbled on the name JHVH, wrote a song about it, the Song of the Sea, made the Canaanite Hit-Parade as early as 1200, and some scribe(s) concocted a whole legendary false-history around the song, in order to explain it, in 950, with later editions in 850, 600, and 500.  On top of that we are able to figure all of this out on the basis of grammar, spelling, syntax, and word nuances that differ between the oral tradition and the written script; neither of which had ever been in writing before.[12]  Fantastic!  Unbelievable!

Conclusion

We firmly believe that dating differences between oral tradition and written record cannot be established on the basis of grammar, spelling, syntax, and word nuances.  Especially, with oral tradition, we have no way of knowing what such grammar, spelling, syntax, or word nuances might have been.  For those who make such claims, we wish to see one specific example, with supporting evidence that reveals an unquestionable dating difference in the sequence necessary.  We believe that provenance has the superior claim on reality.  We close with a quote from Emanuel Tov.  Tov does not say that Torah reflects four interwoven and overlapping patterns.

“Each Scripture book reflects a different textual pattern.”[13]




[2] This would be true with a 1446-1406 writing for Torah, but it cannot be made true with a 950, 850, 600, and 500 dates for J, E, D, and P respectively.  This would place the completion of the entire Old Testament at 50 AD; yet the Dead Sea Scroll evidence and the Septuagint both point to a 200 completion date.  So either McCarter has made a tremendous error in judgment, or his belief in an early date for Torah is being twisted to support a theory in which he really does not believe.  To support The Bible’s Buried Secrets, McCarter should have used a figure between 600 and 800 years.
[3] McCarter’s statement is linguistically true as stated.  Languages do obviously change with time.  In the case of the “Song of the Sea” this fact is simply irrelevant and inapplicable.  It cannot be made useful for comparing two documents written at the same time.
The argument could be made that the whole approach of The Bible’s Buried Secrets is the excessive application of Structuralism.  The Bible’s Buried Secrets begins with a preconceived structure in which:  a. Only archaeology expresses real history.  b. The date of authorship cannot precede extant artifacts by more than a few years.  c. The motivations for writing must consist of hidden agendas: thus the words have no real meaning, their only meaning is in present time.  d. The form of books can be determined from careful analysis of key words or concepts: in this case J, E, D, and P.  e. The origin of the books involved is not found in their chronological or their provenance, but in their key-word structure.  f. The form is so important that the books must be rearranged to satisfy the form.
While other fields have abandoned Structuralism because of its many flaws; higher-critics in general, and The Bible’s Buried Secrets in particular cling to it.
As a scientific method Structuralism is untenable: it is simply wrong from a number of angles.  We must be careful here to distinguish textual criticism, which is the legitimate attempt to analyze extant manuscripts to determine the original words used, its real historical form; rather than the illegitimate attempt to find its hidden form, which is the goal of higher criticism.
When text has a significant political or religious influence (such as the reconstruction of Biblical texts), scholars have difficulty reaching objective conclusions.”
Structuralism is the very thing that is being lampooned in Dead Poets Society.
[4] The “Song of the Sea” is the claimed to be oldest literary text according to spelling, grammar, vocabulary, syntax, and the like.  How do we analyze an orally transmitted poem, which no longer exists as an orally transmitted poem, for spelling, grammar, vocabulary, syntax, and the like?  Where do we find the parallel orally transmitted examples that are necessary to discover word meanings, grammatical structure, and the like?  Having found such a body of oral “literature” how do we go about discovering which words and structures are arcane and which are not arcane?  We know how to do this with written documents from different eras.  How do we do this with oral memories from the same era?  This is what is impossible to accomplish.  Specifically, which words have changed in time, and how?  Which spellings?  Which grammar?  Which vocabulary?  Which syntax?
[5] Lawrence E. Stager (1943 …), professor of archaeology at Harvard: Works: Gezer, Tell el-Hesi, Ashkelon.  http://en.wikipedia.org/wiki/Lawrence_Stager
[6] Stager’s theorem is difficult to apply to any literary concept of Psalms.  We would have to imagine troubadours sitting around the campfire for decades, while David or other hymnodists only recorded them later.  This is especially difficult to apply with the genre called Todah.  Todah are specifically written prayers, recording and giving thanks for an historic blessing from Yahweh, and officially laid up in the most holy place as part, the most important part of a thank offering.  The entire book of Jonah is a Todah: are we to imagine that it never really happened, simply because it is strange?
This is supposedly a separate poem preserved by oral tradition.  Why would we not draw the same conclusion about Genesis 1, or any other number of poetic verses of Scripture?  As a matter of fact, poetry as a class, tends to preserve matters of grammar and syntax far beyond their common use.  People still use iambic pentameter in poetry and music.  How can we avoid the possibility that the poetic form is ancient, while its content may very well be contemporary to the surrounding text?  This is a nonsense conclusion.  Poetry and hymnody cannot be dated by their peculiarities of grammar and syntax, especially when the pertinent documents are no longer or never were extant for scrutiny.
[7] We have used the term, philology, to embrace a whole set of parallel skills.  Technically a philologist is a “word lover”, specializing only in words.  In the broader sense this field involves a whole army of decipherers, epigraphers, grammarians, historians, lexicographers, linguistics experts (some, highly scientific), literary critics, philologists, phoneticians, experts in the technical analysis of writing media and surfaces, plus a host of others, all focused on the ancient artifacts at hand.  Since these skills are often brought together in a single person, we are not surprised to find a number of polymaths working in the field.
[9] Syntax is a strange beast.  We live in an age where computers demand perfect syntax: because a computer is not smart enough to reason beyond a syntactical error.  One misplaced dot in a link sequence like ht[.]tp(s)://www.pdq.xyz turns the whole communication into meaningless gibberish.
In ancient artifacts we are frequently dealing with object that have no apparent syntax.  This should not surprise us.  Spoken language is the original and works without rules for spelling: sounds are the only important thing.  Grammar and syntax are expressed by intonation, pause, facial expression, and even body language.  In the development of alphabetic writing the discovery and expression of these things was a process, and art.  Early alphabets were frequently written without vowels: most likely because the importance of vowels went unrecognized until somebody tried to pronounce a text with only consonants.  Artifacts are frequently written in all majuscule letters, with no word separation, no punctuation, and no accentuation.  Where is the syntax in that?  The expert has to figure it out as he goes along: syntax without syntax.  https://en.wikipedia.org/wiki/Behistun_Inscription
[10] In the English mindset it is simply impossible to construct an imperative that is not second person, present, indicative.  Here are some modern attempts to formulate ancient grammars for Phoenician and Canaanite.
Note that Krahmalkov does not attempt to penetrate the maze (or fog) beyond 1200.  Note also that he classifies Phoenician as Punic.  Also, we remind our readers that the Amarna Letters are written in Akkadian cuneiform, not in Canaanite.  We were unable to find a grammar for paleo-Hebrew.  How would we construct a grammar of oral tradition, and what would it mean.
[11] Perhaps the term Proto-Indo-European languages would have been more descriptive and more accurate scientifically.
[12] Truly, the comic book versions were plagiarized from the movies.
[14] If you have been blessed or helped by any of these meditations, please repost, share, or use any of them as you wish.  No rights are reserved.  They are designed and intended for your free participation.  They were freely received, and are freely given.  No other permission is required for their use.

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